Songbird
Oct
29
It’s All About Vinyl
Filed Under News & Info.
Vinyl has been reborn so to speak and it is a beautiful thing. Check out this article at Wired:
Vinyl May Be Final Nail in CD’s Coffin
By Eliot Van Buskirk
As counterintuitive as it may seem in this age of iPods and digital downloads, vinyl — the favorite physical format of indie music collectors and audiophiles — is poised to re-enter the mainstream, or at least become a major tributary.
Talk to almost anyone in the music business’ vital indie and DJ scenes and you’ll encounter a uniformly optimistic picture of the vinyl market.
“I’m hearing from labels and distributors that vinyl is way up,” said Ian Connelly, client relations manager of independent distributor alliance IODA, in an e-mail interview. “And not just the boutique, limited-edition colored vinyl that Jesu/Isis-style fans are hot for right now.”
Pressing plants are ramping up production, but where is the demand coming from? Why do so many people still love vinyl, even though its bulky, analog nature is anathema to everything music is supposed to be these days? Records, the vinyl evangelists will tell you, provide more of a connection between fans and artists. And many of today’s music fans buy 180-gram vinyl LPs for home listening and MP3s for their portable devices.
“For many of us, and certainly for many of our artists, the vinyl is the true version of the release,” said Matador’s Patrick Amory. “The size and presence of the artwork, the division into sides, the better sound quality, above all the involvement and work the listener has to put in, all make it the format of choice for people who really care about music.”
Because these music fans also listen using portable players and computers, Matador and other labels include coupons in record packaging that can be used to download MP3 versions of the songs. Amory called the coupon program “hugely popular.”
Portability is no longer any reason to stick with CDs, and neither is audio quality. Although vinyl purists are ripe for parody, they’re right about one thing: Records can sound better than CDs.
Although CDs have a wider dynamic range, mastering houses are often encouraged to compress the audio on CDs to make it as loud as possible: It’s the so-called loudness war. Since the audio on vinyl can’t be compressed to such extremes, records generally offer a more nuanced sound.
Another reason for vinyl’s sonic superiority is that no matter how high a sampling rate is, it can never contain all of the data present in an analog groove, Nyquist’s theorem to the contrary.
“The digital world will never get there,” said Chris Ashworth, owner of United Record Pressing, the country’s largest record pressing plant.
Golden-eared audiophiles have long testified to vinyl’s warmer, richer sound. And now demand for vinyl is on the rise. Pressing plants that were already at capacity are staying there, while others are cranking out more records than they did last year in order to keep pace with demand.
Don MacInnis, owner of Record Technology in Camarillo, California, predicts production will be up 25 percent over last year by the end of 2007. And he’s not talking about small runs of dance music for DJs, but the whole gamut of music: “new albums, reissues, majors and indies … jazz, blues, classical, pop and a lot of (classic) rock.”
Turntables are hot again as well. Insound, an online music retailer that recently began selling USB turntables alongside vinyl, can’t keep them in stock, according to the company’s director, Patrick McNamara.
And on Oct. 17, Amazon.com launched a vinyl-only section stocked with a growing collection of titles and several models of record players.
Big labels still aren’t buying the vinyl comeback, but it wouldn’t be the first time the industry failed to identify a new trend in the music biz.
“Our numbers, at least, don’t really point to a resurgence,” said Jonathan Lamy, the Recording Industry Association of America’s director of communications. Likewise, Nielsen SoundScan, which registered a slight increase in vinyl sales last year, nonetheless showed a 43 percent decrease between 2000 and 2006.
But when it comes to vinyl, these organizations don’t really know what they’re talking about. The RIAA’s numbers are misleading because its member labels are only now beginning to react to the growing demand for vinyl. As for SoundScan, its numbers don’t include many of the small indie and dance shops where records are sold. More importantly, neither organization tracks used records sold at stores or on eBay — arguably the central clearinghouse for vinyl worldwide.
Vinyl’s popularity has been underreported before.
“The Consumer Electronics Association said that only 100,000 turntables were sold in 2004. Numark alone sold more than that to pro DJs that year,” said Chris Roman, product manager for Numark.
And the vinyl-MP3 tag team might just hasten the long-predicted death of the CD.
San Francisco indie band The Society of Rockets, for example, plans to release its next album strictly on vinyl and as MP3 files.
“Having just gone through the process of mastering our new album for digital and for vinyl, I can say it is completely amazing how different they really sound,” said lead singer and guitarist Joshua Babcock in an e-mail interview. “The way the vinyl is so much better and warmer and more interesting to listen to is a wonder.”
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Eliot Van Buskirk has covered digital music since 1998, after seeing the world’s first MP3 player sitting on a colleague’s desk. He plays bass and rides a bicycle.
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11 Responses to “It’s All About Vinyl”
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Rachel - Music, FilmAggregator Love
I love vinyl record, but I think it will take a while before vinyl record will make CD’s disappear.
My vinyl website http://www.vinylrecords.ch/
I agree, I don’t know if the general public will ever be as enthusiastic about vinyl as much as music enthusiasts are but I think the general public is missing out. hehe :)
Nice site you have there…Bookmarked.
I LOVE vinyl…in fact my place is decorated in framed vinyl records. My collections is growing rapidly, and the lady and I play our records quite often on one of our two record players. We even by some new ones from time to time if we feel that it’s worth it…the last new vinyl records we bought was the Cold War Kids:)
That’s awesome Joe. I didn’t know you were such a music enthusiast :)
Liar.
wow-that was really cool to read.
to think of a band just releasing vinyl and mp3. how cool is that?
Joe :-P No seriously I really didn’t know you were that much of a music enthusiast.
Tara, I agree that would be really cool…I don’t buy CD’s really anymore because I either have my music digitally or on vinyl. And I love it!!!
As a vinyl lover, this just reinforces what I have been saying for years. Vinyl never went anywhere, it has always been around and always will be!
Robert
http://www.collectingvinylrecords.com
=)
Agreed… I
Hey Rach! Merry Christmas.
Give this a read!
http://www.memeticians.com/2007/12/a-musical-renaissance.php
“Since the audio on vinyl can’t be compressed to such extremes, records generally offer a more nuanced sound.”
That’s an interesting argument, one that I hadn’t thought of before, but it’s not an inherent advantage of vinyl over CDs. CDs would sound far more “nuanced” if mastering engineers would stop squashing the hell out of them with compressors.
“Another reason for vinyl’s sonic superiority is that no matter how high a sampling rate is, it can never contain all of the data present in an analog groove, Nyquist’s theorem to the contrary.”
This is a silly argument, considering that phono preamps have to attenuate the upper frequencies in order to keep noise to tolerable levels (the high frequencies are boosted during mastering). I challenge someone to point to a record that has any significant musical information above 16 kHz.
I’ve always preferred records to CDs, but sound quality has little to do with it. Records cannot approach the clarity and accuracy of CDs no matter how good the pressing or playback system. If one prefers the sound of records, it’s not because they have a wider dynamic or frequency range.